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The Irony of Indonesian Media Disaster
Communication

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(Source: Special)

Disaster Communication 

In the study of global humanitarian action, the role of the media plays an important role in the process of disaster mitigation; the media plays a good role for the international community, the government, and society itself, then here are the three roles of the media in humanitarian action: 1. The media is a communication channel between the public and policymakers (Authority). Making news must be based on truth and the interests of all without being concerned with just one party, especially information when in an important situation or crisis (Scanlon, 2007) 2. The media acts as an educator before, during, and after a disaster occurs, such as providing disaster warnings, how to deal with disasters, and also as an actor monitoring disaster situations (Rattien. 1990) 3. The media also plays a role in the process of social control in disaster mitigation efforts. Emergencies are also in the process of post-disaster recovery (Vasterman, 2005).

From the three points above, let us compare it with the state of the Indonesian media regarding a disaster, especially the Cianjur earthquake disaster. The Cianjur earthquake was an earthquake that occurred on November 21, 2022, with an earthquake strength of 5.6 magnitudes and with a total of 600 victims; of course, the number of victims was very large from an earthquake with a magnitude of 5.6 M. It is an irony how disaster mitigation cannot work. 

According to the theory developed by Scanlon, the media is a channel of communication between the public and the government that is independent of partiality. The media is often only concerned with the needs of government actors. Some of the news narratives that are used as framing are the arrival of government agencies. Of course very ironic, bearing in mind that the media’s interest is to make it a communication tool between the public and the government, the media has very little contribution in narrating the needs of refugees and the post-disaster community life, which is highlighted only by assistance from actor A and actor B. 

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